Wednesday, May 18, 2011

Register for the 5th In The People's Hands Arts and Activism Project workshop, in Durham NC.! Free.




4th Annual In the People's Hands Arts and Activism Project Presents...
The LIBERATION INTENSIVE

Location: TBA
Cost: FREE
Contact: Ebony Noelle Golden-ebonygolden@bettysdaughterarts.com,
Nia Wilson-spirithousenc@gmail.com
tel: 919.283.9032

www.inthepeopleshands.synthasite.com

Registration: email or text- ebonygolden@bettysdaughterarts.com or 919.283.9032.


Join SpiritHouse, Alternate Roots and Betty's Daughter Arts Collaborative for the 4th In The People's Hands Arts and Activism Intensive. This year we are focus is LIBERATION. The weekend we will offer creative performance, spoken word, writing and community action workshops for the community.

Agenda

Thursday June 30th 430 pm
Meet and Greet and Opening Session
530 Introductions and Ice Breaker
600 Opening Session
Why Liberation? Why Now: A Creative Imperative
In this session, Ebony Noelle Golden will lead an interactive session with participants exploring creative approaches to liberation, RSC's principles of community engagement while framing the scope and range of the weekend intensive.

Friday July 1st 430 pm
430- Light Dinner/Snacks
5 pm- Session 1
630-645 Break
645 pm - Session 2
815- Wrap Up

Saturday July 2
10 am- Performance/Manuscript One-on-Ones with Visiting Artists (20 minute sessions)
11 am - Light Brunch
1130- Session 3
1pm- Break
115- Session 4
245- Break
330
Cultural Arts Direct Action: The Creative and the Strategic Road Map
In this session, Ebony Noelle Golden will lead participants in a process of mapping out the next steps for using art and culture for change. Participants should come prepared to talk about a tangible shift they want to see in their communities and how they want to use art and culture to do that work.

530 Break

7 pm Community Performances

Saturday, February 12, 2011

Women on Wednesdays Teach-in & Healing Cipher

This year, WoW organizers are pleased to offer a day-long teach-in to deepen our exploration of our motto "Engage. Create. Empower". Save your spot by RSVP with an email to ebonygolden@bettysdaughterarts.com.



Agenda

10 am- Welcome and Honoring Toni Cade Bambara
1015 am-Yoga and Mindfulness w/ Dehejia Maat

1115 am- Workshop Selections (Descriptions below)

A-Define Your Personal Shine w/ BurnBright Lifeworks, Inc.
B-Finding Voice through Identity w/ Carmen Mojica
C-Lyrical Meditations: Using Freestyle to Free the Spirit with Toni Blackman

1215 pm- Lunch

1 pm-Safe Spaces w/ Ocean Ana Rising

3 pm-Break

315- Prepare Community Sharing from Workshops
330 pm-Community Sharing from Workshops
430 pm-Next Steps Continuing the Sisterhood
5 pm-Closing Activity



Workshop Descriptions

Yoga and Mindfulness with Dehejia Maat

All-Group Session 1 hr.

As a poet and writer I've come to a place where I can't write anymore, because the exterenal world impacts my internal. Yoga for Poets and Writers is a workshop that I've created to remove blockages thru meditation and yoga. Our focus: clearing the noise and drawing form the pool of inspiration.



Safe Spaces for Trauma to Triumph with Ocean Ana Rising

All-Group Session 2 hrs.

The Safe Spaces Workshop is designed to provide women survivors of violence with tools of creative expression to help them transform trauma into healing and liberation. Through this workshop, participants are encouraged to express their own sacred, magical selves, using cultural art techniques that can be revisited long after participation in the workshop. For this Safe Spaces residency, workshop participants will re-discover body awareness on their own terms through guided creative movement, body painting, & writing techniques. We will begin with free writing exercises using prompts that inspire participants to explore the initial and personal trauma. This writing will lead to creative movement techniques, focusing on breathing, flexibility, and rhythmic dance, utilizing an African dance fusion technique. The creative movement will gently guide participants through the memory of the initial wound/scar/trauma addressed through the writing exercise, toward a transformative process of re-memory through which the body experiences full expression and triumph. Participants do not need any formal dance training to participate in this workshop. Following the first portion of the creative movement aspect of the workshop, workshop participants will further celebrate their bodies, self expression, and beauty through a body painting session, high-lighting spaces on the body with visual symbols, designs and colors that reclaim and reinforce personal ideas of affirmation. After body painting, participants will return to creative writing, emphasizing transformation and triumph.

Define Your Personal Shine with BurnBright Lifeworks, Inc.
1 hour


Artist Track:
The overall objective of this workshop is is to equip artists with a deeper level understanding of how they may use branding as a personal & professional tool for their artistic endeavors (networking, seminars, collaborations, exhibit, etc.)

BREAKDOWN

This workshop will take place as a free-form dynamic discussion/presentation followed by a break out Q & A where participants may pose questions.

Glow Assessment (What's working for/against me?) With their lives moving at a lightening pace, many artists rarely get an opportunity to see themselves clearly. This section will focus on teaching participants to do a 360 degree analysis of their current situation.

Selecting Your Candle (Formulating their goals) Selecting your candle will help artists prioritize their goals and by doing so, develop their OWN standards for success.

Burning Bright (Branding Statement) The purpose of this section is for participants to walk away with their own personal Branding statement. Please not that this statement is quite different than an Artist's Statement. Participants will be coached to create a Branding Statement that will speak more to how they want to be SEEN as opposed to what their artistic vision is.

Voice and Individuality with Carmen Mojica
1 hr



Lyrical Meditations: Using Freestyle to Free the Spirit with Toni Blackman

1 hr.

Toni Blackman will lead a session using the spoken word to heighten creativity, inspire self-expression, and improve one's ability to go with the flow. Toni's participant centered wkshp provides a transformative experience that empowers those present to exist beyond their comfort zones. She facilitates the process of "getting open", guiding the energy so that both artist and non-artist benefit from the exercises. Be a part of the cipher.

Tuesday, February 08, 2011

Join Us as WE Celebrate Girls and Women of the African Diaspora!!!

Thursday, December 09, 2010

Women on Wednesdays Art and Culture Project Now Accepting Performance and Workshop Proposals

Greetings,

I hope you all are finding warmth as it gets really cold outside. I co-curate Women on Wednesdays Arts and Culture Project based here in NYC. We are currently accepting performance and workshop proposals from girls and women of the African diaspora to present creative works and teach during the month of February. Here is the link: http://www.bettysdaughterarts.com/women-on-wednesday-teach-in.php If you have any questions, don't hesitate to email me at ebonygolden@bettysdaughterarts.com.

Ebony Noelle Golden
Peace.

Thursday, January 21, 2010




Get Hip and Get Some Black Women's Art in Your Life


Women on Wednesdays: Arts and Culture Series
Curated by Ebony Noelle Golden and Nina Angela Mercer


Description

Women on Wednesdays (WoW)is a month-long series that highlight the arts and cultural practices of girls and women of the African diaspora. Co-curated by Betty’s Daughter Arts Collaborative and Ocean Ana Rising, WoW features work of emerging and seasoned artists and cultural workers in the fields of theater, music, film, dance, literature, and scholarship. The series culminates in a day long teach-in as we explore activism through creative arts; a reception will follow. There is a suggested donation for all WoW events, and no one is turned away. Events take place at Brecht Forum located in the West Village at 7pm on each Wednesday of the month.

Artistic Manifesta


Culture

I guess that waltzes
Do not move me.
I have no sympathy
For symphonies.
I guess I hummed the blues too early
And spent too many midnights
Out wailing to the rain.

-Assata Shakur


"Magic, Everyday"


In "The Quilt: Towards a Twenty-First Century Black Feminist Ethnography" Renee Alexander Craft offers, “African/black women have all too often been imagined, defined, labeled and packaged in ways that are at odds with who we are and understand ourselves to be” (56). Craft's ideas highlight media representations of the mythic Black woman. Craft acknowledges that Black women's identities, (re)productive potential, and labor/work have been high-jacked by dominant media outlets. Women on Wednesdays Arts and Culture Series (WoW) grew out of a similar acknowledgement. WoW's organizers recognize the intersecting oppressions of race, sex, and gender that marginalize Black women's cultural and artistic labor. We affirm the pressing need to collaborate with Black women artists who are expanding conversations about what it means to be Black, woman, artist, cultural worker, and scholar. As a Black women-led project, we recognize the radical practice of providing an uncensored and economically-supported platform for WoW's participants to articulate identity, art, and cultural practice as a personal evolutionary process and negotiation of violent landscapes founded in doctrines of silence and erasure.

When we harness artistic and cultural practices in the tradition of our fore mothers, we quilt a brilliant narrative that shifts and balances the rhythm of this universe. WoW honors the art women make on the porch, at the kitchen table, in the studio, classroom, street and beyond. This series affirms the movement, stories, melodies, theories, and meditations and laments, placing women's voices at the center of narratives about our shared and unique experiences. Women's artistic practices are not only tools for survival but tools for activating an aesthetics of radical imagination that conjures liberation for the artist and our communities. Utilizing art and culture, women conflate the personal and the political, the intimate and the communal, the artistic and the academic to not only honor our collective legacies but inform and imagine the world we want to live in today and tomorrow.

February 3

Body: Word, Move, Perform
"Body: Word, Move, Perform", is an exploration of the body through word, movement, and performance. The night features literary readings, choreographic works and short performance pieces and ends with a round table discussion about how Black women use dance, performance, and literary art to explore the individual in relationship to surrounding political, environmental, and social landscapes. Talk-back moderated by Ebony Noelle Golden

February 10
She Got a Fierce Up-Rock: Women in Hip Hop
Featuring a screening of the film "Say My Name" and a performance by Kymbali Craig, "She Got a Fierce Up-Rock" provides a space to explore Black women in Hip Hop. From politics of production, to juggling motherhood and career, the panel discussion promises to be a vibrant and necessary conversation. Talk-back moderated Brandy Monk-Payton and Kymbali Craig.

February 17
Daughters of Shange
Featuring a staged reading of "I Am a Drum" by Sybil Roberts, "Daughters of Shange" features short experimental performance works that trouble and conflate traditional categories of theatrical performance. Talk-back moderated by Nina Angela Mercer.

February 21

"Teach the Teacher" harnesses the power of communal learning and knowledge sharing. Featuring workshops, discussion, and performances, "Teach the Teacher" is day-long teach-in for those who are interested in utilizing art and culture for awareness and social justice

February 24
Ñañakuna K’uychimanta (sisters of the rainbow) is a musical, literary and dance performance that will explore the artistic expressions of women from the African Diaspora. The evening employs a reinterpretation of "round robin sessions" where each artist will share with their fellow performers, writers and musicians, their work to generate a discussion at the end of the performance. This event will feature the talents of The Mimi Jones Band; poets Tara Betts, LaTasha N. Nevada Diggs and, Tonya Foster; and choreographer dancer Paloma McGregor.
This event is curated and moderated by LaTasha N. Nevada Diggs.

Wednesday, December 09, 2009


WHAT RACE ARE YOU RUNNING? SUBMIT YOUR LO-PHY PERFORMANCES/LO-TECH PHOTOS ebonygolden@bettysdaughterarts.com to contribute to our web installation project debunking POST-RACIAL HYPNOSIS!!!!!! GO HERE FOR MORE INFORMATION: http://www.bettysdaughterarts.com/a-poetics-of-progressive-pedagogy.php

Thursday, November 05, 2009

Call for art, spoken word, music- Sex worker rights are Human rights!

In conjunction with International Human Rights Day on December 10th, a coalition of New York-based sex worker rights, anti-violence and decriminalization advocates are hosting a Human Rights Speak-Out and Arts Evening. You are encouraged to submit your work!

We are looking for:
- pieces that connect to or highlight themes in the Universal Declaration of Human Rights (see http://www.un.org/en/documents/udhr/ and the examples below); and to the idea that criminalization of sex work leads ultimately to human rights violations.
- visual art; and short (2 to 7 minutes) spoken word or poetry pieces, musical pieces, theater shorts, films, etc.
- current/ former sex workers, and folks who are otherwise in communities that are heavily impacted by criminalization and policing of sex work are especially encouraged to submit

Submit to : kmdadamo@gmail.com and belltoweroverflo@hotmail.com
For spoken word and performance, please email written copies if possible. For film, either mail a copy or send an online link to view. For visual art, please either send JPG images (no more than 2) or otherwise call to make arrangements to submit.

Submit by: November 25th

Be sure to keep Dec. 10th on your schedule! Travel stipends for local NYC area travel to the event on the evening of December 10th may be available for submitting artists. Please keep in mind that the event will be promoted to media outlets in order to try to bring a sex worker rights and human rights message to a wider audience.

Here are some examples of conditions faced by sex workers and articles of the UDHR that correlate:

Sex workers and people profiled as sex workers are often ignored when they report violence, rape, or other crimes against them, and even presumed to have brought the violence on themselves. Frequently, they face violence, including sexual violence and extortion, at the hands of the police.

Article 3.

* Everyone has the right to life, liberty and security of person.

Article 5.

* No one shall be subjected to torture or to cruel, inhuman or degrading treatment or punishment.

Article 7.

* All are equal before the law and are entitled without any discrimination to equal protection of the law. All are entitled to equal protection against any discrimination in violation of this Declaration and against any incitement to such discrimination.

People, particularly transgender folks and people of color are often profiled as sex workers and arrested. For example in Washington, DC, officers can arrest people they “presume to be prostitutes” in so-called Prostitution Free Zones.

Article 9 of the Declaration says:

* No one shall be subjected to arbitrary arrest, detention or exile.

Article 20.

* (1) Everyone has the right to freedom of peaceful assembly and association.

Criminalization and stigmatization create enormous obstacles to sex workers organizing for labor rights, and sex workers sometimes face discrimination when they seek different work.

Article 23.

* (1) Everyone has the right to work, to free choice of employment, to just and favourable conditions of work and to protection against unemployment.
* (2) Everyone, without any discrimination, has the right to equal pay for equal work.
* (3) Everyone who works has the right to just and favourable remuneration ensuring for himself and his family an existence worthy of human dignity, and supplemented, if necessary, by other means of social protection.
* (4) Everyone has the right to form and to join trade unions for the protection of his interests.

Article 25.

* (1) Everyone has the right to a standard of living adequate for the health and well-being of himself and of his family, including food, clothing, housing and medical care and necessary social services, and the right to security in the event of unemployment, sickness, disability, widowhood, old age or other lack of livelihood in circumstances beyond his control.

Monday, October 19, 2009




Stand in Solidarity with Gumbo YaYa!
www.iamnotaproject.wordpress.com






Greetings community,

Gumbo YaYa wants you to stand in support of healing and creative expression for African American girls and women. Most of you know I help sustain a community-based sister circle called Gumbo YaYa: Creative Expression and Healing for African American Girls and Women. Well soon the project will expand to communities in South Africa and Kenya and continue in Durham, NC.

We want you to stand in solidarity with us! If you believe in our mission and our work email your name and the organization you represent to be listed on our community support page!

Gumbo YaYa is a holistic, arts-based program that directly addresses reproductive justice, awareness, and empowerment of African American girls and women. Established in 2007, Gumbo YaYa draws on the cultural practices of knowledge-sharing, political action, art-making, and community- building created and sustained by African American girls and women.

Gumbo YaYa’s mission is to affirm the health, wellness, and vitality of African American girls and women through creative and expressive healing.

To date, Gumbo YaYa has worked with over 100 women and girls in New York, North Carolina, and New Orleans. We have staged three community performances, and held one community forum.

We have collaborated with a host of like minded individuals who firmly believe in our mission and our work. We have been funded by New York University- ism project grant, New York University- Department of Multi-cultural Programs, Health Medical Research Foundation, The Imperial Court of the Daughters of Isis, Billings & Martin and several private sponsors. We have successfully entered our fall giving season, and raised over 2,000 for our international initiatives.




Here is what coming up...

Winter 09-10: Gumbo YaYa Cycle 3 Planning phase
Spring 2010: Gumbo YaYa Reproductive Justice, Now! begins
Community performance and forum
Summer 2010: Gumbo YaYa South Africa/ Kenya
Fall 2010: Gumbo YaYa documentary short film screening

We want you to stand in solidarity with us! If you believe in our mission and our work email your name and the organization you represent to be listed on our community support page!

Please feel free to share resources with us about grants, funding streams, donations, bartering/freecycling, people doing this work internationally, activities, and more.

We look forward to hearing from you.

In service and solidarity,

Ebony N. Golden

Friday, September 25, 2009

Wednesday, September 23, 2009


3rd Annual In the People's Hands Arts and Activism Project

Community Writing Intensive

Poetry. Hip Hop. Performance. Instead of Prisons.



Contact Ebony Noelle Golden
inthepeopleshands@gmail.com
www.inthepeopleshands.synthasite.com
919.423.3780


Durham, NC—Oct. 1-4 artists from North Carolina, Tennessee, Georgia, New York, and beyond will gather for the third annual Community Writing Intensive in Durham, NC at the New Horizons School and The People's Channel. This year's theme, "to p.i.m.c. w/ love", is a satirical take on the lack of justice the prison system practices towards people of color and poor people. Visit http://www.inthepeopleshands.synthasite.com to register and see full schedule of events.

Participants will engage poetry, media, hip hop theater, and music as tools for critically and creatively engaging community wellness, prison reform, the school to prison pipeline, and decreasing violence in local communities.

Nia Wilson, Executive Director of SpiritHouse-NC said, "This program is absolutely necessary. Our path to freedom is informed by being able to articulate our stories, our visions, in our own words. SpiritHouse is dedicated to creating these intentional spaces for the entire community to dialogue, write, perform, and heal."

This year’s intensive features:

· Tuition-free workshops
· Workshops led by community poets and community organizers
· Travel Scholarships for commuters
· Youth-led workshops
· Writers-in-Residence
· Performance workshops
· Action-based community dialogue
. Manuscript workshops
. Open-Mic
. Virtual release of e-zine www.inthepeopleshands.synthasite.com
. Establishing a community board of artists and writers in the rooted in the south east

The In the People's Hands Arts and Activism Project is based on June Jordan's 15-year old "Poetry for the People" program. The program "continues to pursue Martin Luther King Jr.'s vision of a beloved community for all".

June Jordan crafted Poetry for the People with three guiding principles in mind:
1. That students will not take themselves seriously unless we who teach them, honor and respect them in every practical way that we can.
2. That words can change the world and save our lives.
3. That poetry is the highest art and the most exacting service devoted to our most serious, and our most imaginative, deployment of verbs and nouns on behalf of whatever and whoever we cherish.

For more information about June Jordan and Poetry for the People, visit www.poetryforthepeople.org.
This project is made possible by a grant from the North Carolina Humanities Council, a statewide nonprofit and affiliate of the National Endowment for the Humanities, the We Shall Overcome Fund, The People's Channel, Betty's Daughter Arts Collaborative, and SpiritHouse-NC.

For more information about the intensive, to apply or to donate time, money, or services contact inthepeopleshands@gmail.com, or call Ebony Noelle Golden at 9194233780. To register for the intensive, visit http://inthepeopleshands.synthasite.com/registration.php.


-END-

Saturday, September 19, 2009

Friday, September 11, 2009

3rd Annual In the People's Hands Arts and Activism Project

Community Writing Intensive

Poetry. Hip Hop. Performance. Instead of Prisons.




Contact

Ebony Noelle Golden For Immediate Release 919.423.3780 www.inthepeopleshands.synthasite.com
inthepeopleshands@gmail.com





Durham, NC—Oct. 1-4 artists from North Carolina, Tennessee, Georgia, New York, and beyond will gather for the third annual Community Writing Intensive in Durham, NC at the New Horizons School and The People's Channel.


This year's theme, "to p.i.m.c. w/ love", is a satirical take on the lack of justice the prison system practices towards people of color and poor people. The intensive will engage poetry, media, hip hop theater, and music as tools for critically and creatively engaging community wellness, prison reform, the school to prison pipeline, and decreasing violence in local communities.

Nia Wilson, Executive Director of SpiritHouse-NC said, "This program is so absolutely necessary. Our path to freedom is informed by being able to articulate our stories, our visions, in our own words. SpiritHouse is dedicated to creating these intentional spaces for the entire community to dialogue, write, perform, and heal."


This year’s intensive features:
· Tuition-free workshops
· Workshops led by community poets and community organizers
· Travel Scholarships for commuters
· Youth-led programs
· Writers-in-Residence
· Performance workshops
· Action-based community dialogue
. Manuscript workshops
. Open-Mic
. Virtual release of e-zine www.inthepeopleshands.synthasite.com
. Establishing a community board of artists and writers in the rooted in the south east


The In the People's Hands Arts and Activism Project is based on June Jordan's 15-year old "Poetry for the People" program. The program "continues to pursue Martin Luther King Jr.'s vision of a beloved community for all". June Jordan crafted Poetry for the People with three guiding principles in mind:

1. That students will not take themselves seriously unless we who teach them, honor and respect them in every practical way that we can.
2. That words can change the world and save our lives.
3. That poetry is the highest art and the most exacting service devoted to our most serious, and our most imaginative, deployment of verbs and nouns on behalf of whatever and whoever we cherish.

For more information about June Jordan and Poetry for the People, visit www.poetryforthepeople.org.

The Community Writing Intensive is sponsored by the We Shall Overcome Fund, The People's Channel, Betty's Daughter Arts Collaborative, SpiritHouse-NC, and the North Carolina Humanities Council.

For more information about the intensive, to apply or to donate time, money, or services contact inthepeopleshands@gmail.com, or call Ebony Golden at 9194233780. To register for the intensive, visit http://inthepeopleshands.synthasite.com/registration.php.


-END-

Tuesday, May 19, 2009

Zora! Festival

have you all seen this? http://www.zorafestival.com/index.html

FYI: FW: CFP
You have probably seen the call for papers below, posted at our website
over the last year, for the 2010 Zora Neale Hurston (ZNH) Festival of
the Arts and Humanities in Eatonville, Florida (USA) January 23-31,
2010.

The JUNE 1st deadline is around the corner, and your submissions is
enthusiastically anticipated from across disciplines and areas of study.

PLEASE FORWARD THIS EMAIL TO YOUR FRIENDS, COLLEAGUES , and LISTSERVES.

Taking a minute to forward the email below can make a world of
difference for this academic forum and for the sustainable development
of Eatonville, America's oldest incorporated African American town in
the US.

[Cultural preservation activism has helped this community survive urban
gentrification]

Questions?
See the call below and feel free to contact me directly.

Dr. Deidre Helen Crumbley: ZNH National Planner
Associate Professor/ Africana Studies Program
Interdisciplinary Studies Division Box 7107
North Carolina State University
Raleigh, NC 27695-7107, USA

CALL FOR ACADEMIC PAPERS
Invitation:
Scholars are invited to submit papers for the 2010 Zora Neale Hurston
Festival of the Arts and

Humanities (January 23 - 31). The festival theme is "Reflection on the
Life and Legacy of Zora Neale

Hurston 50 Years After Her Death."

The legacy of Zora Neale Hurston is a phenomenon that has undergone a
remarkable

development and expansion in recent decades, embracing, among others,
topics in ethnic identity, social

interactions, feminist theory, and cultural continuity. Hurston's unique
insights into folklore,

performance, and creative expression have invited new interpretation and
inspired emulation, while the

corpus of her own work has grown as a result of research and discovery.
The committee will welcome

papers exploring the dynamic dimensions of the Hurston legacy from
theoretical and/or historical

perspectives and will be especially attentive to appropriate
consideration of past, present, and emerging

scholarly content.

In a tradition of excellence, scholars are encouraged to engage the
literature and discourse of

their respective fields at the same that they present their findings
during the public forum in a form that

is accessible to academics in other disciplines and is also
intellectually stimulating for an intelligent

general audience.

Submission Instructions:

Submit a 150-word abstract along with an 500-word summary of your paper
that of your paper that indicates the

thesis or central question, which you plan to explore, as well as an
idea of the theoretical framework

within which your findings will be considered.

Deadline:

Abstract and summary are due June 1, 2009.

If your work is accepted for the festival, a copy of

the full paper must be submitted by November1, 2009.

Email your submission to:

Deidre Crumbley @: deidre_crumbley&ncsu.edu

AND

N. Y. Nathiri @: apec@cfl.rr.com



Then Mail a Hard Copy to:

Hurston Papers 2010

Preserve the Eatonville Community, Inc. (P.E.C.)

227 East Kennedy Boulevard

Eatonville, Florida 32751

Wednesday, April 08, 2009

Betty's Daughter Arts Collaborative continues the "Working Our Rainbows: Critical Approaches to Africana Women's Performance Methodology" Series

Peace family. As I continue to think about "women's work", political division, art, community and sustainability, I am critically looking at these terms-feminist and womanist and how they create/define/conflate/re-iterate power, everyday "happenings" and creative performance dynamics among Black women.

The Working Our Rainbows Series is an at-home, mobile device, on line lecture series devoted to Black Women in Performance Studies. Please email bettysdaughterarts@gmail.com if you would like to host a lecture!


This weeks lesson:

1. Watch Staceyann Chin's performance of "Feminist or Womanist".
http://www.youtube.com/watch?v=PQOmyebFVV8

2. Read Revisiting "What's in a Name?": Exploring the Contours of Africana Womanist Thought
Nikol G Alexander-Floyd, Evelyn M Simien. Frontiers. Boulder:2006. Vol. 27, Iss. 1, p. 67-89,131-132 (25 pp.)

I will email the essay if you would like.

3. Write a letter to yourself answering some or all of these questions: 1. Am I a feminist? 2. Am I a womanist? 3. How do I identify politically, culturally, socially?

4. If you were talking to Alice Walker right now, what would you say to her about womanism? 5. If you were talking to Clenora Hudson Weems right now, what would you say to her about womanism? 6. If you were speaking to Audre Lorde right now, what would you ask her about hybridity? 7. If you were talking to your mama right now what would you ask her about herself?

Hit me up on facebook or respond on my blog here!


Peace and performance!

Ebony Noelle Golden
bettysdaughterarts@gmail.com
bettysdaughterarts.synthasite.com

Wednesday, March 25, 2009




Peace Gumbo YaYa Supporters,

Thank you for your generous thoughts, participation and support since the first cycle of Gumbo YaYa in 2007. Gumbo YaYa has travelled from NYC to NC drawing on the power of sisterhood and creative healing in every session or workshop. The second cycle of gumbo yaya is wrapping up in Durham, NC.

Here are a few updates:

New Community Support!
Gumbo YaYa is pleased to announce new sponsor, The Body Shop. The Body Shop (http://www.thebodyshop-usa.com/bodyshop/) is providing wellness and beauty items for the Gumbo Yaya Sister Circle and supporters. Many thanks to our awesome intern, Kenya C. Harris, for solidifying this sponsorship. You rock Kenya!

Love is Radical Performance!
Gumbo YaYa is wrapping up its second cycle on 3/29/2009 with a community performance, panel, and potluck.

What: Love is Radical: Performing Mothering, Daughtering, and Sistering
When: 3/29/09, 2:30 pm
Where: 214 Broadway St.
Durham, NC
Who: The Entire Community
Cost: Free
Why: Because we want to share our magic with you!

Please bring a dish, dessert, or beverage for the community potluck.
More Information: bettysdaughterarts@gmail.com or 919.423.3780

Please tell everyone you know to come out and support Gumbo YaYa!

Gumbo on the Go!
A Gumbo YaYa session was presented at the 5th Annual State of the Nation Arts and Performance Festival. Accepted with open arms by a diverse community of artists and activists, women and men engaged in "Brilliant Tomorrows: Sister(ing) as Creative Communal Performance" session in New Orleans, LA. www.sonfestival.org.

Brilliant Tomorrows will also be presented at the first We Are 1 Women's Conference in Durham, NC. The conference seeks to bring women together regardless of sexuality, faith, ethnicity. Check them out at http://www.infinitydiamondclub.com/infinity_diamond_club_015.htm.

On the Horizon...
Gumbo YaYa, the movie!
Gumbo YaYa, the curriculum!


We want to hear from you!
-Join our list serv at http://bettysdaughterarts.synthasite.com/contact.php.

-Check out our website and leave a comment at www.iamnotaproject.wordpress.com.

In sisterhood and community building,
Gumbo YaYa/ or this is why we speak in tongues

Wednesday, March 18, 2009

Wednesday, March 11, 2009

ORIGINAL FOR COLORED GIRLS CAST MEMEBER OFFERS PEFORMANCE WORKSHOP!!!


The Theater of the Oppressed Laboratory (TOPLAB)
--a member of The Institute for Popular Education at the Brecht Forum--
--founded in 1990--
451 West Street
New York, New York 10014
(212) 924-1858
toplab@toplab.org
http://www.toplab.org


The Theater of the Oppressed Laboratory presents

Confronting Diabetes with Theater

Two Workshops with Robbie McCauley

Saturday, March 21,2009 from 1:00 to 4:00 pm
Register online at http://brechtforum.org/events/diabetic-dramas-1?bc=

Saturday, April 25,2009 from 1:00 to 4:00 pm
Register online at http://brechtforum.org/events/diabetic-dramas-2?bc=

Award-winning actress Robbie McCauley returns to the Brecht Forum to lead
a series of workshops called "Diabetic Dramas" based on subject matter
from her performance piece *Sugar*, which looks at everything there is to
see about sugar, from slavery to colonialism to American mythologies to
diabetes. An ongoing work-in-progress, *Sugar*, which will be presented
again at the Brecht Forum in June, will incorporate some of the story
exchanges by participants in the "Diabetic Drama" workshops facilitated by
Ms. McCauley. Through the interweaving of stories, images, facts and lore
we will see that diabetes is not only a medical issue but also one of race
and class, and we will also see how sugar is sometimes something that is
very bittersweet.

The first Diabetic Drama workshop took place in January and will continue
with two more workshops on March 21 and April 25. It is not necessary to
have attended the January session to enroll in the March or April
sessions.

Robbie McCauley has been an active presence in the American avant-garde
theater for three decades. One of the early cast members of Ntozake
Shange's *for colored girls who have considered suicide when the rainbow is
enuf*, Ms. McCauley went on to write and perform regularly in cities across
the country, striving to facilitate dialogs on race between local whites
and blacks.

In the 1990s, she received both an OBIE Award (Best Play) and a New York
Dance and Performance (BESSIE) Award for *Sally's Rape*, which she wrote,
directed and performed.

A core member of the American Festival Project, she has practiced and
taught theater in several communities throughout the US and abroad. She is
anthologized in several books, including Extreme Exposure; Moon Marked and
Touched by Sun; and Performance and Cultural Politics, edited respectively
by Jo Bonney, Sydne Mahone, and Elin Diamond.

In 1998, her *Buffalo Project* was highlighted as one of the "the 51 (or so)
Greatest Avant-Garde Moments" by the Village Voice, a roster that included
work by artists such as Igor Stravinsky, Pablo Picasso, and John Cage. Her
recent piece, *Sugar*, a work in progress, was presented at Ohio State
University in collaboration with several institutional departments and
organizations, and with members of Columbus' Near East community.

Robbie McCauley is on the Performing Arts Department faculty at Emerson
College in Boston.

Co-sponsored by the Theater of the Oppressed Laboratory (TOPLAB) and the
Brecht Forum.

Tuition--sliding scale: $15-$35

Pre-registration required.

Register online by using the links above or contact TOPLAB at
toplab@toplab.org or (212) 924-1858.

All sessions take place at:

The Brecht Forum
451 West Street*
New York City

* travel directions below

*****

Other Upcoming TOPLAB Workshops

March 28-29: The Rainbow of Desire
(info at http://brechtforum.org/events/rainbow-desire?bc=)

March 29: Closing party for Refuge and Resistance: Reflections on Gendered
Violence (an installation and performance piece conceived and executed by
Ocean Ana Rising)
(info at
http://brechtforum.org/events/ocean-anna-rising-presents-refuge-and-resistance?bc=)

April 18-19: Cop-in-the-Head
(info at http://brechtforum.org/events/cop-head-0?bc=)

May 23-28: Workshops with Augusto Boal
(info from toplab@toplab.org or [212]924-1858)

May 25: An Evening with Augusto Boal
(info at http://brechtforum.org/boalperformance-2009?bc=)

*****

Travel Directions

The Brecht Forum and TOPLAB are at:

451 West Street *
(between Bank and Bethune Streets in the far West Village,
1-1/2 blocks north of West 11 Street)
New York City

* Note: West Street is the same as the West Side Highway

Subway

IND Eighth Avenue A, C, or E to 14 Street or BMT Canarsie L to Eighth
Avenue (take a few minutes to look at "Life Underground", Tom Otterness'
series of whimsical bronze sculptures scattered throughout both sections
of the station). Walk down Eighth Avenue (against the traffic) to Bank
Street (at Abingdon Square). Turn right on Bank and walk west to West
Street. Turn right, walk a quarter-block to 451.

IRT Seventh Avenue 1, 2, or 3 trains to 14 Street. Exit at the south (12
Street) end of the station. Walk a short block west, across 12 Street, to
Greenwich Avenue. Turn left and walk one block to Bank Street. Turn right,
walk west on Bank Street to Abingdon Square. Bank Street continues on the
other side of the park; keep walking on Bank Street to West Street. Turn
right, walk a quarter-block to 451.

New Jersey PATH train to Christopher Street. Walk north (with the traffic)
on Greenwich Street to Bank Street. Turn left, walk west on Bank Street to
West Street. Turn right, walk a quarter-block to 451.

(From Penn Station or Port Authority Bus Terminal take the IND Eighth
Avenue A, C or E trains downtown to 14 Street and follow the directions
above. From Grand Central Station take the IRT Lexington Avenue 4, 5 or 6
trains downtown to 14 Street/Union Square and then change to the BMT
Canarsie L train heading toward Eighth Avenue. Follow the directions
above.)

Bus

#8 (Ninth/Christopher Streets crosstown) to Christopher and West Streets,
walk up West Street to 451.

#11 (Ninth and Tenth Avenues): From uptown--to Abingdon Square (at Bethune
Street). Walk south one very short block to Bank Street, turn right, walk
west to West Street. Turn right, walk a quarter-block to 451. No service
from downtown--Abingdon Square is the terminal stop.

#14A (Grand/Essex Streets/Avenue A/Fourteenth Street crosstown) to
Abingdon Square (at Bethune Street). Walk south one very short block to
Bank Street, turn right, walk west to West Street. Turn right, walk a
quarter-block to 451.

#20 (Seventh Avenue and Hudson Street/Eighth Avenue): From downtown--to
Abingdon Square (at Bethune Street). Walk south one very short block to
Bank Street, turn right, walk west to West Street. Turn right, walk a
quarter-block to 451. From uptown--to 12 Street (near St. Vincent
Hospital). Walk a short block west, across 12 Street, to Greenwich Avenue.
Turn left and walk one block to Bank Street. Turn right, walk west on Bank
Street to Abingdon Square. Bank Street continues on the other side of the
park; keep walking on Bank Street to West Street. Turn right, walk a
quarter-block to 451.

Car

Drive west on 11 Street all the way to West Street (West Side Highway).
Turn right for one block, to 451, between Bank and Bethune Streets.

Along the West Side Highway: From downtown--stay to the right and follow
the Highway to 451, between Bank and Bethune Streets. From uptown: Take
the Highway to Clarkson Street (exit left), make a U-turn at Clarkson and
proceed back up the Highway to 451, between Bank and Bethune Streets.

Note that there is no legal parking on many parts of West Street before
6:00 pm, and parking on the surrounding streets is scarce. Fines for
illegal parking are a minimum of $115, and your car could be towed.
Retrieval can cost you as much as $300. Fees at parking lots and garages
can run as high as $35 a day. WE URGE YOU TO USE PUBLIC TRANSPORTATION.


===
The Theater of the Oppressed Laboratory (TOPLAB)
toplab@toplab.org
http://www.toplab.org

"My fellow Americans, major combat operations in Iraq have ended. In the
battle of Iraq, the United States and our allies have prevailed."
--George W. Bush, May 1, 2003

"...I told the American people that the road ahead would be difficult, and
that we would prevail. Well, it has been difficult--and we are
prevailing."
--George W. Bush, June 28, 2005

"Our cause in Iraq is noble and necessary....America is engaged in a new
struggle that will set the course for a new century. We can and we will
prevail."
--George W. Bush, January 10, 2007

"Prevailing in Iraq is not going to be easy."
--George W. Bush, March 19, 2007

+U.S. military fatalities through May 1, 2003: 140
+U.S. military fatalities through June 28, 2005: 1743
+U.S. military fatalities through January 11, 2007: 3017
+U.S. military fatalities through March 19, 2007: 3217
+U.S. military fatalities as of March 10, 2009: 4256 (this figure exceeds
the number of people killed in all of the incidents that occurred on
September 11, 2001)

+Iraqi deaths due to the US invasion, as of September 2004 (estimated by
The Lancet): 100,000+
+Iraqi deaths due to the US invasion, as of July 2006 (estimated by The
Lancet): 654,965
+Iraqi deaths due to the US invasion, as of March 10, 2009 (estimated
by Just Foreign Policy): 1,311,696*

*These figures are based on the number of deaths estimated in The Lancet
(the British medical journal) study through July 2006, and then updated
based "on how quickly deaths are mounting in Iraq". To do that, Just
Foreign Policy multiplies The Lancet figure as of July 2006 by the ratio
of current deaths reported by Iraq Body Count (IBC), divided by IBC deaths
as of July 1, 2006. The IBC numbers, considerably lower than those cited
by The Lancet, Opinion Research Business (a British polling firm which
estimated 1.2 million Iraqi deaths as of September 2007), and even the
Iraq Ministry of Health, are based on the number of fatalities cited in
various news reports and have been criticized, with much justification,
for not giving an accurate assessment of the real Iraqi death count. The
much more rigorous and statistically-reliable study, conducted by teams
from Johns Hopkins University, Columbia University and Al-Mustansiriya
University, and published in The Lancet in September 2004, put the figure
at around 100,000 civilians dead. However, that data had been based on
"conservative assumptions", according to research team leader Les Roberts,
and the actual count at that time was credibly assumed to be significantly
higher. For example, The Lancet study's data greatly underestimated
fatalities in Fallujah due to the surveying problems encountered there at
that time. The second Lancet study, released on October 10, 2006,
indicated that 654,965 "excess" deaths of Iraqis have occurred since the
outbreak of the aggression and genocide committed by the United States
against the people of Iraq. The current figures provided by Just Foreign
Policy seem to be logically consistent with the increasing rates of death
from 2003 to 2004, and 2004 to 2006.

Sources: http://www.justforeignpolicy.org/iraq/iraqdeaths.html
http://www.antiwar.com/casualties/
http://icasualties.org/oif/
http://www.iraqbodycount.org/
http://www.zmag.org/lancet.pdf
http://www.guardian.co.uk/Iraq/Story/0,2763,1338749,00.html
http://www.agoracosmopolitan.com/Iraq_war.html
http://www.socialistworker.co.uk/article.php4?article_id=6271
http://olm.blythe-systems.com/pipermail/nytr/Week-of-Mon-20041025/008279.html
http://www.thelancet.com/webfiles/images/journal/lancet/s0140673606694919.

Tuesday, March 10, 2009

Thursday, March 05, 2009


Gumbo YaYa Celebrates Women's History Month
with Love is Radical:
Approaches to Mother(ing), Daughter(ing), and Sister(ing)


Contact: Betty's Daughter Arts Collaborative
Media Alert
bettysdaughterarts@gmail.com
www.bettysdaughterarts.synthasite.com


Durham, NC- March 5, 2009

Gumbo YaYa, ushers in Women's History Month with a four-part series of creative arts workshops, performances, and community-wide discussions about the beautiful complexity of relationships among women of the African diaspora.

Gumbo YaYa Dates of Importance:
March 8: The Aesthetics of Intimacy: Daughter(ing) as Communal Performance with Ebony Noelle Golden

March 15: Love is Radical: Performing Mother(ing), Daughter(ing), and Sister(ing) with Gumbo YaYa Sister Circle

March 22: Performance Rehearsal

March 29: Community Performance and Panel Discussion with the Gumbo YaYa Sister Circle (this performance is open to the entire community)

Nancy (Nia) Wilson, executive director of SpiritHouse-NC, shares, "Thank you to our sponsors: The North Carolina Humanities Council, Healing with CAARE, Inc., betty's daughter arts collaborative, and everyone who has supported this process by providing child care, cooking a meal, or attending a session. Gumbo YaYa is such a wonderful way to begin or continue building a healthy relationship between women and girls in our communities."

Ebony Noelle Golden, creative director of Gumbo YaYa, is over-joyed by the response. "Our sessions have been generously attended every week. Mothers have brought their daughters and granddaughters. I can't wait to see what the final performance brings, and what the lasting effect of this 12-week session will be."

The "sista circle" uses improvisation, dance, journaling, meditation, storytelling, photography, theater, poetry, and music to explore the intergenerational relationships among black mothers, daughters, and sisters.

All sessions, materials, performances, and discussions are free for participants and audience members. Gumbo YaYa provides child care and dinner during every "sista circle". Participants do not have to be students, or affiliated with any particular institution to participate.

For more information about Gumbo YaYa visit www.iamnotaproject.wordpress.com, or email bettysdaughterarts@gmail.com.

--
Ebony N. Golden, MFA, MA
Creative Director
bettysdaughterarts.synthasite.com

Hire Betty's Daughter for your arts consulting needs!
"creating radical expressiveness in community"

Check out...Gumbo Yaya/or this is why we speak in tongues
"Creative Healing and Expression for Women of the Diaspora"
www.iamnotaproject.wordpress.com

Friday, February 27, 2009

Gumbo YaYa Celebrates Women's History Month
with Love is Radical:
Approaches to Mother(ing), Daughter(ing), and Sister(ing):
Creative Arts Workshops, Performance, and Panel" (2:00-5:00)




Contact: Betty's Daughter Arts Collaborative
Media Alert
bettysdaughterarts@gmail.com
www.bettysdaughterarts.synthasite.com


Durham, NC- Feb. 26, 2009

Gumbo YaYa, ushers in Women's History Month with a series of creative arts workshops, performances, and community-wide discussions about the beautiful complexity of relationships among women of the African diaspora.

Gumbo YaYa Dates of Importance:
March 1: Alt(a)rations: Building Sacred Space in Community with SpiritHouse (this session will begin at CAARE and move to other sites.)
March 8: The Aesthetics of Intimacy: Daughter(ing) as Communal Performance with Ebony Noelle Golden
March 15: Love is Radical: Performing Mother(ing), Daughter(ing), and Sister(ing) with Gumbo YaYa Sister Circle
March 22: Performance Rehearsal
March 29: Community Performance and Panel Discussion with the Gumbo YaYa Sister Circle (this performance is open to the entire community)

Nancy (Nia) Wilson, executive director of SpiritHouse-NC, shares, "Thank you to our sponsors: The North Carolina Humanities Council, Healing with CAARE, Inc., betty's daughter arts collaborative, and everyone who has supported this process by providing child care, cooking a meal, or attending a session. Gumbo YaYa is such a wonderful way to begin or continue building a healthy relationship between women and girls in our communities."

Ebony Noelle Golden, creative director of Gumbo YaYa, is over-joyed by the response. "Our sessions have been generously attended every week. Mothers have brought their daughters and granddaughters. I can't wait to see what the final performance brings, and what the lasting effect of this 12-week session will be."

The "sista circle" uses improvisation, dance, journaling, meditation, storytelling, photography, theater, poetry, and music to explore the intergenerational relationships among black mothers, daughters, and sisters.

All sessions, materials, performances, and discussions are free for participants and audience members. Gumbo YaYa provides child care and dinner during every "sista circle". Participants do not have to be students, or affiliated with any particular institution to participate.

For more information about Gumbo YaYa visit www.iamnotaproject.wordpress.com, or email bettysdaughterarts@gmail.com.

--
Ebony N. Golden, MFA, MA
Creative Director
bettysdaughterarts.synthasite.com

Hire Betty's Daughter for your arts consulting needs!
"creating radical expressiveness in community"

Check out...Gumbo Yaya/or this is why we speak in tongues
"Creative Healing and Expression for Women of the Diaspora"
www.iamnotaproject.wordpress.com

Calendar of Events

  • June 1- Official Launch of Betty's Daughter Arts Collaborative
  • May 10, 7 pm, Gumbo YaYa @ Roses and Bread Women's Poetry Reading, Performance/Body Insallation, Brecht Forum NYC
  • May 10, all day, Experimental Theatre Final Performances NYU
  • May 7-8, all day, Gumbo YaYa, MA Symposium NYU
  • April 23, 6 pm Gumbo YaYa, -ism Gala NYU
  • March 26, 7 pm, Gumbo Yaya/ or this is why we speak in tongues, Tisch School of the Arts, Forum Series
  • Feb. 7, Brecht Forum, 730, moderating NO! film screening
  • Jan. 4, Common Ground Theatre, 8 pm, performance art night---Holding Space (a love poem for Meghan Williams)
  • Dec. 12, Ripple in Brooklyn, 8 pm, sharing poetic vibes for a jazz/blues show
  • Oct 27, Duke University, 9:45 am, Women Engage Hip-Hop Panel
  • Sept 14, PS @ Tisch, How Much Can the Body Hold
  • Sept 19, Righetous AIM, NC A & T
  • August 31-Sept 2, 75TH Highlander Anniversary
  • Anti-prison Industrial complex performance, Durham, NC
  • April 30 Shout Out, Carrboro, NC
  • April 24 Fingernails Across Chalkboard Reading, Washington, DC
  • April 14 Poetry Month Reading, Durham, NC
  • 3/31 Ringing Ear Reading, Chapel Hill, NC
  • Wednesday 3/21 - 7 pm Miller Morgan Auditorium, Performative Healing and the Work of Ntozake Shange, Lecture
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