Monday, November 17, 2008

re/memories



21:40 - i hear you breathing for me/ an embodied blues for megan williams


after performing and meditating on the most recent installation of "i hear you breath for me/ an embodied blues for megan williams" i wrote this...

1. she thinks she sees waterblood

steps pores wide with fear

her whiteness like magnified imagination

"and there was fake blood and a woman cut herself"

her neck (re)shocked red as she turns the corner

her mother can see the whole black woman unsliced

left hand trembling

2. we are not a/part

we are not a/part wearenota/part wearenota / part we arenota/ part

even if my last name is not williams even if i tell the story you choose to forget

even if the dollars come as drops instead of pours even if you dream a piece of

fabric is a brick wall even if i bang silence like a steel drum even if you wear

white male privlege like a badge of honor even if i make you remember what

you choose to forget even if the story incites a thick mucus to grow in the back

of your throat even if

3. when we hold fear like a lover and fold our tears into envelops that craddle our screams we pretend our necks are full of jazz and scorpio thunder we pretend our open parts are a diary of cinnamon sundays we pretend a shout is a shower of blessings we pretend plump hairs relaxed thin do not hold stories of our mothers and our mothers' mothers we pretend we can bury ourselves in books and lecutres and conferences and "study"

we pretend it is apart of our genetic makeup to be numb we pretend we can bury ourselves in good dick and good feelings and good wine and good deeds

we pretend it is apart of our genetic makeup to be bottomless we pretend we can bury ourselves in the blindness of never more we pretend we have paralized tonsils we pretend flesh does not burn and that we have forgotten how to decode black girl pain like it is not an opera written in our skin/tone

4. tattle tell tit your tongue will be slit and every little boy in town will have a little bit

- mama audre lorde

5. and the line i forgot...

mary had a little lamb little lamb little lamb

mary had a little lamb whose fleece was whiiiiiii whhhhhhhhhhhh whhhhhhhhhhhi

whhhiiiiiiiiiiiiiiiiiiiiiiiiiiii wwwwwwwwwwwwwwwww whiiiiiiiiiiiiiiiiiiiiiiiiite as snow

-remixed nursery rhyme

6. after we wrap ourselves like a cacoon we are a dictionary of backs and fingers and southern sea sways we infuse our beating bodies into a blank space we are not mourning but recharging and thanking ourselves for continuing the journey

7. the brothers pray approach slowly contemplate some revolutionary shit pray request hugs dance their frustration dance their honesty about not knowing what to do i am thankful for the stillness of their eyes and how they listen with their palms

Calendar of Events

  • June 1- Official Launch of Betty's Daughter Arts Collaborative
  • May 10, 7 pm, Gumbo YaYa @ Roses and Bread Women's Poetry Reading, Performance/Body Insallation, Brecht Forum NYC
  • May 10, all day, Experimental Theatre Final Performances NYU
  • May 7-8, all day, Gumbo YaYa, MA Symposium NYU
  • April 23, 6 pm Gumbo YaYa, -ism Gala NYU
  • March 26, 7 pm, Gumbo Yaya/ or this is why we speak in tongues, Tisch School of the Arts, Forum Series
  • Feb. 7, Brecht Forum, 730, moderating NO! film screening
  • Jan. 4, Common Ground Theatre, 8 pm, performance art night---Holding Space (a love poem for Meghan Williams)
  • Dec. 12, Ripple in Brooklyn, 8 pm, sharing poetic vibes for a jazz/blues show
  • Oct 27, Duke University, 9:45 am, Women Engage Hip-Hop Panel
  • Sept 14, PS @ Tisch, How Much Can the Body Hold
  • Sept 19, Righetous AIM, NC A & T
  • August 31-Sept 2, 75TH Highlander Anniversary
  • Anti-prison Industrial complex performance, Durham, NC
  • April 30 Shout Out, Carrboro, NC
  • April 24 Fingernails Across Chalkboard Reading, Washington, DC
  • April 14 Poetry Month Reading, Durham, NC
  • 3/31 Ringing Ear Reading, Chapel Hill, NC
  • Wednesday 3/21 - 7 pm Miller Morgan Auditorium, Performative Healing and the Work of Ntozake Shange, Lecture