Monday, December 11, 2006

Performances, say what!

So(u)ld Out

So(u)ld Out: Hip Hop, the Academe, and the Objectification of Black Identity(ies)Or/ my hip-hop ain’t no Petri dish for neo-millennium, high-tech, ultra-cool racists

What is So(u)ld Out ?So(u)ld Out is a freestyle flyer performance/installation conceived by poet, teacher and performance artist ebony noelle golden, that critiques the Academe’s current, fetishistic/voyeuristic, interest in hip-hop culture. This piece seeks to question the intentions, motivations, and zest for “majority” institutions to host panels, seminar courses, conferences, “hip-hop weeks”, interdisciplinary degree options and other suspect reductive measures as viable attempts at earnest engagement with hip-hop culture.

CONTEXT/ CRITICAL RACE THEORY/ OR JUST COMMOTION
So(u)ld Out argues that this new found interest in hip-hop culture is not-so-new but instead harkens to the days when African bodies “performed” (i. e. cooning, shucking and jiving, dancing the juba,) on auction blocks, in fields, side-shows, and circuses to prove their value. So(u)ld Out wonders how the western “university” model, which is inherently racist in structure and application, implemented throughout the academe and wonders how glimpses into certain performances of Blackness are used as a type of coding, objectification, and framework in which oppression, violence, and silence is honed and re-enacted on Black bodies and communities.Ten years ago white academia dismissed the social, cultural, political, and artistic significance of the hip-hop movement, why are they so interested now?

C.R. E. A. M (cash rules everything around me)White male money and white male hands currently pull hip-hop’s strings and slowly silence the revolutionary voices of future Real Roxannes, Queen Latifas, Bahamadias, and MC Lytes. The objectification of black identity(ies) and expressions must be reclaimed now. So(u)ld Out believes the neo-millennium auction block should not only be dismantled but should also be burned to dust!

What You Can Do!So what do I need to make some art?Bring a pen, paper, and some of your favorite revolutionary hip hop lyrics and let’s make a statement, for real for real! I should say, we have not been invited but just like hip-hop began on the streets and in spaces where black people were traditionally silenced we are staking claim and making noise where we need to.

p.s. see http://brokenbeautifulpress.blogspot.com/2006/07/stick-it-to-man.html to order some brown and tan SOLD SOUL stickers for free(dom).

No comments:

Calendar of Events

  • June 1- Official Launch of Betty's Daughter Arts Collaborative
  • May 10, 7 pm, Gumbo YaYa @ Roses and Bread Women's Poetry Reading, Performance/Body Insallation, Brecht Forum NYC
  • May 10, all day, Experimental Theatre Final Performances NYU
  • May 7-8, all day, Gumbo YaYa, MA Symposium NYU
  • April 23, 6 pm Gumbo YaYa, -ism Gala NYU
  • March 26, 7 pm, Gumbo Yaya/ or this is why we speak in tongues, Tisch School of the Arts, Forum Series
  • Feb. 7, Brecht Forum, 730, moderating NO! film screening
  • Jan. 4, Common Ground Theatre, 8 pm, performance art night---Holding Space (a love poem for Meghan Williams)
  • Dec. 12, Ripple in Brooklyn, 8 pm, sharing poetic vibes for a jazz/blues show
  • Oct 27, Duke University, 9:45 am, Women Engage Hip-Hop Panel
  • Sept 14, PS @ Tisch, How Much Can the Body Hold
  • Sept 19, Righetous AIM, NC A & T
  • August 31-Sept 2, 75TH Highlander Anniversary
  • Anti-prison Industrial complex performance, Durham, NC
  • April 30 Shout Out, Carrboro, NC
  • April 24 Fingernails Across Chalkboard Reading, Washington, DC
  • April 14 Poetry Month Reading, Durham, NC
  • 3/31 Ringing Ear Reading, Chapel Hill, NC
  • Wednesday 3/21 - 7 pm Miller Morgan Auditorium, Performative Healing and the Work of Ntozake Shange, Lecture
Powered By Blogger

Blog Archive