Wednesday, October 17, 2007
more workings by Prof. Dickerson
THE PROJECT FOR TRANSFORMING THRU PERFORMING:
re/placing Black womanly images
THE PROJECT FOR TRANSFORMING THRU PERFORMING proposes to enter the black woman’s performing voice into the scholarly discussion surrounding gendered identity as metaphor for all women and oppressed peoples, using “witness” texts. These witness texts are based on the words of real women and serve as places of memory; memory as it relates to the Greek martyr, which connotes witness. “Kitchen Prayers” dramatizes the national and international narratives of real women collected by THE PROJECT. By using the kitchen as the central metaphor for this work, we achieve several ends. First we (re)create a space in which women are made central. Second, we shift scholarly attention to the experiences, music, literature, public and private conversations and everyday behaviors of “ordinary”, easily forgotten Black women. These become the key sources (the witness texts) for exploring the meanings that women assign to mundane as well as extraordinary events in their lives. Finally, in discussions held after the dramatic presentation, we place scholarly commentary next to the witness texts and the narratives of our audience. We use these narratives to challenge and support each other. The work of THE PROJECT emerges then as a living manifestation of a deliberately multidisciplinary, ever evolving Black feminist scholarship.
Since the events of 9/11, the world has changed and so it is appropriate that the focus of THE PROJECT adjust to our new reality. When the world dialogue ratchets up to talk of war and retribution it is overwhelmingly a male dialogue. Men are considered the experts, the keepers of knowledge. In keeping with our mission to make central the ordinary woman’s voice, we want to add that voice to this predominantly male dialogue. By revolving this year’s “Kitchen Prayers” presentations around the words of women living under the realities of war, famine and oppression, THE PROJECT FOR TRANSFORMING will try to capture, reflect and understand the impact of 9/11 and other acts of global terrorism on women and their children around the world.
Subscribe to:
Post Comments (Atom)
Calendar of Events
- June 1- Official Launch of Betty's Daughter Arts Collaborative
- May 10, 7 pm, Gumbo YaYa @ Roses and Bread Women's Poetry Reading, Performance/Body Insallation, Brecht Forum NYC
- May 10, all day, Experimental Theatre Final Performances NYU
- May 7-8, all day, Gumbo YaYa, MA Symposium NYU
- April 23, 6 pm Gumbo YaYa, -ism Gala NYU
- March 26, 7 pm, Gumbo Yaya/ or this is why we speak in tongues, Tisch School of the Arts, Forum Series
- Feb. 7, Brecht Forum, 730, moderating NO! film screening
- Jan. 4, Common Ground Theatre, 8 pm, performance art night---Holding Space (a love poem for Meghan Williams)
- Dec. 12, Ripple in Brooklyn, 8 pm, sharing poetic vibes for a jazz/blues show
- Oct 27, Duke University, 9:45 am, Women Engage Hip-Hop Panel
- Sept 14, PS @ Tisch, How Much Can the Body Hold
- Sept 19, Righetous AIM, NC A & T
- August 31-Sept 2, 75TH Highlander Anniversary
- Anti-prison Industrial complex performance, Durham, NC
- April 30 Shout Out, Carrboro, NC
- April 24 Fingernails Across Chalkboard Reading, Washington, DC
- April 14 Poetry Month Reading, Durham, NC
- 3/31 Ringing Ear Reading, Chapel Hill, NC
- Wednesday 3/21 - 7 pm Miller Morgan Auditorium, Performative Healing and the Work of Ntozake Shange, Lecture
Blog Archive
-
▼
2007
(62)
-
▼
October
(10)
- seeking womb/ performing self and still working ou...
- Jill Scott
- Counting Headz Promo
- working my rainbows~~~performance and the spiritua...
- Nina Simone: Four Women
- more workings by Prof. Dickerson
- black women in performance~~~working their rainbows
- anna deavere smith
- U, Black Maybe (a choreopoem) U, Black Maybe: Ano...
- Through Blood, Across the Scream: Constructing a B...
-
▼
October
(10)
No comments:
Post a Comment