Monday, March 17, 2008

Nu Work on EryKah Badu





video.vh1.com


Greetings family,

This week I have a large task. I will be writing about body, sex, humor and the poetics of awareness/space in the work of Erykah Badu.

My project is in no way comprehensive but seeks to articulate how she uses irony, hyperbole and humor in three musical performances/site over the span of her 11 year career.

The work looks at

Anne-not yet recorded on vinyl or pressed on CD but performed for the past few years

Booty-recorded on Mama’s Gun

and

Afro/ a freestyle skit

Here are some questions I am dealing with as I move forward

1. how do elements of humor such as hyperbole and irony articulate a poetics of awareness/space in e.badu’s music and performance?

2. how does badu perform such an articulation? gestures, choreography,"funk", voice, "southernity/southerness", "style", political invocation?

3. tracing the trajectory of her career, what are the marked shifts in her usage of humor especially as expressed in Anne, Booty, and Afro/ a freestyle skit? What do these sifts illustrate?

4. what is the role of e. badu’s sex/sexuality in her performance of humor? what is the role of humor in her performance of sex/sexuality?

5. what if anything is erykah badu saying about race/ womaness/ freedom/ space/ community/ blackness through her performance

6. how does e. badu incorporate blues/ funk/ and hip hop to articulate a poetics of space?

7. what is a poetics of space and how does a poetics of space help us think about humor in e. badu’s work? what kind of space am i talking about

creative space/ space as sexual autonomy "had two babies different dudes"/ space as artistic process (reference Garage Band, online street teams, buy your album straight from me campaign/ space as expanding or maturing intellect/ wisdom "this year i turn 36"/ space as expanding body-"my ass and legs have gotten thick"

so yes...i will be bombarding you with snippets of my project and random stuff about e. badu

i usually write poems to help facilitate my scholarly process, and all processes, so do please check those out as well.

here are some to get you started

Badu Haiku

1.
in the rasp of your voice
in the twang of your scat
we find liberation

2.
"cuz im cleva" i know neo soul aint so new
like shell toes like high tops like b-girls from the "dirty d"
you bend beats and stretch rhythms through millenia

3.
if a priestess is she who carves rituals in our spirits
who clears our path with snippets of sage
who conjures a hymn to save us all
then a priestess you be


See EryKah perfrom @

http://www.vh1.com/video/play.jhtml?id=1582333&vid=213224

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Calendar of Events

  • June 1- Official Launch of Betty's Daughter Arts Collaborative
  • May 10, 7 pm, Gumbo YaYa @ Roses and Bread Women's Poetry Reading, Performance/Body Insallation, Brecht Forum NYC
  • May 10, all day, Experimental Theatre Final Performances NYU
  • May 7-8, all day, Gumbo YaYa, MA Symposium NYU
  • April 23, 6 pm Gumbo YaYa, -ism Gala NYU
  • March 26, 7 pm, Gumbo Yaya/ or this is why we speak in tongues, Tisch School of the Arts, Forum Series
  • Feb. 7, Brecht Forum, 730, moderating NO! film screening
  • Jan. 4, Common Ground Theatre, 8 pm, performance art night---Holding Space (a love poem for Meghan Williams)
  • Dec. 12, Ripple in Brooklyn, 8 pm, sharing poetic vibes for a jazz/blues show
  • Oct 27, Duke University, 9:45 am, Women Engage Hip-Hop Panel
  • Sept 14, PS @ Tisch, How Much Can the Body Hold
  • Sept 19, Righetous AIM, NC A & T
  • August 31-Sept 2, 75TH Highlander Anniversary
  • Anti-prison Industrial complex performance, Durham, NC
  • April 30 Shout Out, Carrboro, NC
  • April 24 Fingernails Across Chalkboard Reading, Washington, DC
  • April 14 Poetry Month Reading, Durham, NC
  • 3/31 Ringing Ear Reading, Chapel Hill, NC
  • Wednesday 3/21 - 7 pm Miller Morgan Auditorium, Performative Healing and the Work of Ntozake Shange, Lecture
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