Sunday, May 25, 2008

acutonics or/ mic check one two one two/ a poem in praise of my mama

One time fo the sho shot!!!
two times for the bass!!!!
three time for the treble!!!!
and fo time the race!!!!!

1.

auuuuuuuuuuuuuum
auuuuuuuuuuuuum
auuuuum
aum

shanti
shantiiiiii
shantiiiiiiiii
aum
aum
aum

peace

my introduction to sound theraphy came through gospel music. i joined our youth church choir at brentwood baptist church as a teenager. i remember feeling so full of life, enegry, fullness whenever we began to sing praise music. i felt like a fully present member of a community. resounding proclaiming professing my love for the creator.

scratch that

my introduction to the healing aspects of sound came as a girl growing up in my mother's house. saturdays were sacred. ripe with mama daughter check ing, good breakfasts, and cleaning. lots of cleaning against a backdrop of herbie hancock, earth wind and fire, marvin gaye, fleetwood mac, quincy jones, teddy pendergrass and many others. my mom would pop in an 8-track and crank up the turn tables and we would clean and dance and enjoy each other in our home space.

scratch that

pre-school, yes pre-school. four years old. i study at a the local pre school off 610. we are required to learn square dance. we dance and do-si-do and spin our partners and promenade and all that jazz. wow how stereotypically texan is this. although i love to dance, even at four, i was even more drawn to the sounds. i remember feeling like i was moving in and through the sound. looking and thinking back now, i think i felt there was another place on the other side of the sounds coming from the harmonica, guitar, banjo and such. i felt i could travel through sound like it travelled through me.

i still feel this is true.

but
scratch that

i want to remember what i heard in my mamas belly. i know now that the sound of her voice is one of the many ways i am linked to this amazing woman. i have always been able to tell her emotional state from the sound of her voice. the intonation her pronunciation of my name EEEEEEEEEbony or Ebonyyyyyyyyyy or eBony all meant different things to me growing up and even now. i know this relationship to the sound of my mamas voice and sound in general predates even the twitch in my daddy's smile and the lilt in my mamas laugh that eventually created me, neverthess i meditate on originary enTrances to this aural affair.

2.
point of clarification
when i said scratch three times in the last section of this poem, i was not negating a narrative memory i was actually inviting multiple layers of time and narrative. see hip hop see jazz see toni morrison for more information. reference the dj as well how she piles time on top of sound to make a new now/present/moment. think about how the event is a thing and remembering the event is a new thing and remixing them both is entirely a new thing as well. see and reference the universe's cycles ebbs and flows. reference a conversation with mama dr. ahmad about astrology and cosmic cycles~~~~how the cosmic cycles happen on time and constantly in time but each time a cycles happens the universe is not the same, nor are the people experiencing and moving through the cycles.

3.

this is a poem about sound
this is a poem about sound
this is a poem about sound
this is a poem about sound
this is a poem about sound
this is a poem about sound
this is a poem about sound
this is a poem about sound
(rest)

4.

listen to erykah badus music. not the lyrics, well yes the lyrics but the music music music. listen to pings, dings, tones, hesis, mantras, noise, silences, flourishes, breaks, holes, holds, and more. watch her make music on stage. gadgets, mixers, orchestrations, (she breaks music with commands like "hold on" cause some moments need silence while others may need sonic layers). pay attention to the how her voice mimics not only instruments but sounds we can find in nature. reference birds, wind, trees, sun sets, internal harmony and discord. reference the recent pics of badu positioned with pitch forks reminds me of ancient egyptian healing rods. these rods were used to create atune the body using the energetic vibrations that could be absorbed aurally or directly by the affected organ. see http://www.egyptianhealingrods.com/IntroFrames.html. reference andre 3000/the love below and the mantra "vibrate/ vibrate higher".

this talk about mimicry and nature and pitch and sound in general transports me back in time to what i just wrote about how sound travels the body and how the body travels through sound. so badus sound and possible mirroring of natural sounds is a way to think about recovery and travel. she sings during the intro and outro "the world is gonna turn/ the world is on and on" which references a constant cycle motion fluidity that mirrors how sound travels. "the sun's movement does not bend to the will of humans". i wonder how sound can be interpolated into this system as well.

what i am saying is sound therapy is a method of recovering self, as the self shifts and moves and remixes. sound is a way of collapsing the supposed present/past/future because it is all just time and through sound we can access the selves we want to be we can tune the sufferring parts of our selves and we can highlight our strengths. check out khametic rituals using sound. check out your grand mama humming spirituals. check out a babies laugh. check out a clear day in new york city. check out the sound of your lovers breath. check yourself.

5.

this is a poem about the earth
this is a poem about the earth
this is a poem about the earth
this is a poem about the earth
this is a poem about the earth
this is a poem about the earth
this is a poem about the earth

6.

i am entering a space of intense silence and sound
i am entering a space of intense meditation and prayer
i am entering a space of stillness and motion
i am entering a space of communion and solitude
i am recapturing
recovering
reliving
remixing
layering
outlining
splicing
recouping
revolving
shifting
soul sonics
alining arits
absorbing yellow green and white light
swallowing brillance
and breathing up butterflies

7.

boom tik boom boom boom tik
boom tik boom boom boom tik
boom tik boom boom boom tik
"think twice think twice"
boom tik boom booom boom tik
boom tik boom boom boom tik
"back in the day now/ back in the day
when things were cool/ well well well/
all we needed was pa pa pa pa pa pa da
all we needed was pa pa pa pa pa pa da"
~~~~~~~~~~



check the healing rods the hands of the Pa-Hru (or king/queen language of ancient kemit. please note: the term pharoh is an inaccurate translations. reference my beloved elders, queen afua, and others who taught me this).

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Calendar of Events

  • June 1- Official Launch of Betty's Daughter Arts Collaborative
  • May 10, 7 pm, Gumbo YaYa @ Roses and Bread Women's Poetry Reading, Performance/Body Insallation, Brecht Forum NYC
  • May 10, all day, Experimental Theatre Final Performances NYU
  • May 7-8, all day, Gumbo YaYa, MA Symposium NYU
  • April 23, 6 pm Gumbo YaYa, -ism Gala NYU
  • March 26, 7 pm, Gumbo Yaya/ or this is why we speak in tongues, Tisch School of the Arts, Forum Series
  • Feb. 7, Brecht Forum, 730, moderating NO! film screening
  • Jan. 4, Common Ground Theatre, 8 pm, performance art night---Holding Space (a love poem for Meghan Williams)
  • Dec. 12, Ripple in Brooklyn, 8 pm, sharing poetic vibes for a jazz/blues show
  • Oct 27, Duke University, 9:45 am, Women Engage Hip-Hop Panel
  • Sept 14, PS @ Tisch, How Much Can the Body Hold
  • Sept 19, Righetous AIM, NC A & T
  • August 31-Sept 2, 75TH Highlander Anniversary
  • Anti-prison Industrial complex performance, Durham, NC
  • April 30 Shout Out, Carrboro, NC
  • April 24 Fingernails Across Chalkboard Reading, Washington, DC
  • April 14 Poetry Month Reading, Durham, NC
  • 3/31 Ringing Ear Reading, Chapel Hill, NC
  • Wednesday 3/21 - 7 pm Miller Morgan Auditorium, Performative Healing and the Work of Ntozake Shange, Lecture
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